Written by James Tynion IV, Art by Michael Dialynas and Jason Gonzalez.
Comic Series Review by Kerey McKenna.
Although the young adult survival horror comic, The Woods, has been on my radar since its premiere, I had never gotten around to reading it. But with March’s release of the last installment, I finally downloaded and read the first volume, then the next, and the next, eventually binge reading all 9 of graphic novel trade editions in one weekend. Despite its sometimes disturbing imagery and emotional gut punches, I felt it was a journey that I—like the protagonists—had to complete.
The Woods is the story of Bay Point Preparatory High School in modern day Wisconsin. Unexpectedly, the school building, faculty, staff, and over 400 students are mysteriously teleported to a dense primordial jungle under an alien sky.
The series follows a band of six seniors as they rise to meet the challenge while wrestling with the same internal and interpersonal struggles that defined their lives back on Earth. But now they have to do it while running from lime green alien bears and other monstrosities lurking in the alien jungle.
The six seniors are:
The Woods is a wonderful campfire tale of survival horror and the trials and travails of children forced to grow up in a harsh world. When I was a young reader, wilderness survival tales like Hatchet, Lord of the Flies, and Island of the Blue Dolphin were the reading of empowered children before teenage rebels against dystopia started a revolution in the genre.
The artwork is excellent. From the expressive faces and body language, the use of color to contrast the earth with the strange neon alien jungle, and the creative creature designs and cohesive action scenes, the art team more than does its job selling this story.
On the writing front the dialogue carries the day with no extraneous narration. The story reminds me of the early seasons of the TV series Lost, and I mean that in the best way possible. It’s about a group forced to band together to survive, a supernatural/possibly sentient setting, frequent flashbacks to slow feed new information about the protagonists’ back stories, and a lot of conflict based around what these people need to change about themselves—and need to retain—in order to survive.
However unlike Lost or The Walking Dead (show and comic) the creators here clearly had a plan in place and never felt the need to pad out the series with filler or repetitive story arcs. Over the course of the series there are new revelations about the nature of the woods, characters join or leave the main group, and there is drastic character growth all around. Each installment is organically built upon the last, advancing the greater plot towards a satisfying conclusion. The creators knew when to wrap things up, end the story, and walk away.
Kerey McKenna is a contributing reviewer to Nerds who Read and SMOF for the annual Watch City Steampunk Festival, coming to Waltham, Massachusetts on May 12, 2018. Check it out at www.watchcityfestival.com.
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